Ridiculous remarks spilling from the mouths of X-factor contestants is nothing new, so I was hardly shocked to hear that last year’s winner, James Arthur, offended the gay community this week by referring to an underground rapper, in a rap battle, as a “f*cking queer”.
Along with most, my initial lack of surprise was soon replaced by irritation at James Arthur’s ignorance and his homophobic comments. There is always more to the story, however, and I was compelled to read Arthur’s tweets to see what other contentious things he might be saying. But upon doing so, my irritation was soon jolted by a far softer sentiment: pity.
The pressures of fame
As laymen, it is easy for us to overlook the fact that being thrust into the public eye is a cruel cross to bear. The pressures of shooting to fame can only be understood by the relatively limited number of individuals who have gone through the same thing. And yet, from the resentful perspective of the rest of us, these people have been handed everything on a plate.
Before straight-to-stardom reality TV shows came along, the road to fame was a gradual one. It allowed travellers to gradually acclimatise to the changing conditions. This may have been a gentler route for the stars themselves, but not a quick buck for record producers, like Simon Cowell, who soon discovered that they could sell greater quantities of records much more quickly if they engineered a machine that creates fame overnight.
In case it’s not obvious, the machine I’m referring to is shows like the X-Factor. In the end, it doesn’t matter who wins the ‘competition’. It’s simple; those who are popular will make money and be signed, those who aren’t, won’t. While some contestants cope with the atmospheric adjustment far better than others, the real winners will always be the record labels.
If in doubt, shout louder
James Arthur is a man wracked by insecurity. Many of his interactions on Twitter are retweets from fawning fans, shouting about how much they love him. In equal measure, he rises to small jeers from ‘haters’, biting back in self-defense where he would be better advised to grow a thick skin and leave well enough alone. In both cases, he is trying to affirm his self-confidence to the outside world, but his actions have quite the opposite effect.
Even Arthur’s apology for his comments reeked of doubt, as he used it to further slam the rapper Micky Worthless: “I just have to say I’m extremely disappointed in myself for being so naive with the diss track I made for an unknown rapper recently.” This is in equal parts an apology and a vehicle with which to affirm the ‘unknown’-ness of Worthless. And no doubt, mixing the two will spark more outrage, but it shouldn’t. It should spark sympathy.
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Opinions expressed in this article may not reflect those of THEGAYUK, its management or editorial teams. If you'd like to comment or write a comment, opinion or blog piece, please click here.