THEATRE REVIEW | Company, Gielgud Theatre, London
Marianne Elliott’s production of this 1970 show is as modern and up to date as possible, but please, more more more Lupone next. Here’s to the lady who steals the show!
Marianne Elliott’s production of this 1970 show is as modern and up to date as possible, but please, more more more Lupone next. Here’s to the lady who steals the show!
★★★★ | Private Lives If you’re not familiar with Noel Coward’s work then you’re in for a treat with ‘Private Lives’ and the lavish new production at The Gielgud is […]