★★★★ | Address Unknown

Is it possible to explain the incomprehensible? How can anyone begin to understand what would make a man abandon a deep friendship in favour of joining a radical political movement? ‘Address Unknown’ is a stunning play from 1938 in which Kathrine Kressman looks at just these issues.

Max and Martin are close friends with strong bonds but when Martin moves back to his native Germany a rift grows between them; a rift that will eventually lead to rejection, betrayal and revenge. The problem being that Max is Jewish and Martin is beguiled by the emerging National Socialist Movement and becomes an official in the Nazi party.

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Max and Martin are close friends with strong bonds but when Martin moves back to his native Germany a rift grows between them; a rift that will eventually lead to rejection, betrayal and revenge. The problem being that Max is Jewish and Martin is beguiled by the emerging National Socialist Movement and becomes an official in the Nazi party.

It’s a powerful piece, well staged and well acted by the two men and is much more than a dry political commentary. The story is a very human one which subtly unfolds in a well paced and intriguing manner and makes the audience both squirm in horror and laugh with glee.

It’s a powerful piece, well staged and well acted by the two men and is much more than a dry political commentary. The story is a very human one which subtly unfolds in a well paced and intriguing manner and makes the audience both squirm in horror and laugh with glee.

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He has a good point. Essential viewing for our modern times.

‘Address Unknown’ runs at The Soho Theatre until the 27th of July 2013

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Book tickets here: http://www.sohotheatre.com/whats-on/address-unknown

About the author: Chris Bridges
Chris is a theatre and book obsessed Midlander who escaped to London. He's usually to be found slumped in a seat in a darkened auditorium.